“The flame that burns twice as bright burns half as long.” – Lao Tzu

We haven’t even reached the halfway mark of 2016 and already, it has left a gaping hole in the middle of the music world’s heart. While a majority of us may have never had the chance to meet our greatest idols and influences, their death has this seismic ripple effect that can feel deeper than one would expect.  The whole world goes through it with you. It feels as though we’ve lost a piece of ourselves, a time of our lives, even a friend.  Music is extremely personal and emotional, so it is no wonder the loss felt echoes beyond blood or close relationships.

Hope budding from unexpected places. Bursts of color from darkened earth. Isn’t that what this season — spring — is all about?

Today we’re excited to introduce you to Rebekah Pahl, a singer and songwriter creating her first EP that’s doing exactly that, revealing how a seemingly barren, dry season can give way to river of inspiration. Click through to learn more about Rebekah’s story, how the desert fosters her creativity, and to hear a snippet of the voice you’re (for sure) going to want to hear more of.

Meet Sue Jacobs, music supervisor for notable films such as Silver Linings Playbook, American Hustle, Little Miss Sunshine and more. Over two decades Sue has put sound to picture, powerfully impacting the films we watch and transporting us through her song selection expertise. She is a dreamer of vision and sound.

As a fellow female music curator, Sue Jacob’s impressive repertoire of work and unique career inspired me to unearth more of this Dreamer’s story and creative process.


She saunters into the half-light, her emerald dress sashaying with each brush of the snare, unknowingly. His eyes quietly follow her path, carefully shaded away in his corner booth. Palms balmy with nerves, his body suddenly feels like a sinking anchor as her figure becomes smaller with distance.

But as magic moments would have it, she suddenly feels his draw, like a warm electric current in her chest. She turns in time with the song, heart thumping on cue. He rises from the safety of that worn leather barricade, surfacing with the voltage. This is their meet-cute, their story for the ages.

Retro-pop with an island twist, singer Christie Brooke doesn’t produce anything that you’d expect. Though talented, of course, her voice surprises you with its range; it seems to carve out new spaces in the air, forming captivating punches and beats, transporting you to an era of early jazz laced with a coolness Amy Winehouse would be proud of.

Self-releasing her #FirstLove EP (that you can preview below), Christie Brooke’s mission is to fearlessly inspire dreamers everywhere to chase what seems impossible, wherever the wave leads. Give her story a read and her tracks a listen, and see if you aren’t just a little more amped to take on the day ahead.

“I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality… I believe that unarmed truth and unconditional love will have the final word.” – Martin Luther King, Jr.

War.  Terrorism.  Extremism.  Racism.  Hate.  Violence.  Unrest.  Suffering.  Death.

These words should not be commonplace for us in everyday news.

Transviolet has achieved a daring feat. The LA based quartet, consisting of Sarah McTaggart, Judah McCarthy, Michael Panek and Jon Garcia, has written and produced the kind of song you can put on repeat without annoying your roommates because they, too, will be intently listening along to its soft chronicle of a bittersweet departure from youth’s naivety.

“Girls Your Age” first strikes you with a hypnotic beat, which McTaggart then uses to coo the coming of age story of a heroine.

There has been quite a buzz around the music industry this past week with the release of Ryan Adams’ cover of Taylor Swift’s 1989 album. Both rave and less than impressed reviews have been flying. On the one side, people are arguing why he shouldn’t be able to snag the spotlight for something she wrote, while others prefer his version to hers.  To each their own.

But when you get down to the brass tax of it all, the definition of a cover song is this: “In popular music, a cover version or cover song, or simply cover, is a new performance or recording of a previously recorded, commercially released song by someone other than the original artist or composer.”

Switching gears with the upcoming autumn season, we’re envisioning cable knit sweaters, breezy cobblestone streets, and sparks of creativity as we sharpen pencils and chase dreams.

And the sound of BOY adds in the perfect soundtrack for such imagination.

The BOY duo of ladies Valeska Steiner and Sonja Glass have recently released their second album, “We Were Here,” and we can’t get enough of their inventive melodies, creative visuals, and all-around let’s just stay curled up journaling in a Parisian cafe  vibe. We’re sharing the video to their album’s title track and we invite you to give (them) a listen, below!