Art Deco Treasure Trove

Last month while on my way to Yoga class with a friend, I stumbled upon an absolute architectural gem in the heart of Old Town Pasadena. Heading into the basement of a multi-story building on Colorado Boulevard, I first noticed the beautiful, ornately-carved, oversized solid wood doors of the ladies powder room. As we made our way to class, I saw a placard with the building’s name, which read: “The Fish Building, 26 E. Colorado Blvd.” We were 20 minutes early to class, so I chatted up the staff commenting on the lovely Art Nouveau style of the building.

“Take them up in the elevator,” our yoga teacher instructed the receptionist at the front desk. My ears perked up immediately and my heart almost skipped a beat. What’s in the elevator? I wondered with anticipation. I had a feeling I was in for a treat.

As the receptionist dug up the key to the antiquated lift, she informed us only residents of the building were allowed to use it. Now my curiosity was piqued! As the three of us stepped into the mirrored cube, I almost fainted with elation. I had never been so close to original, hand-crafted, Art Deco architectural details before. The reflective walls of the elevator were framed by swirling, honey-colored shapes made of solid wood (typical of Art Nouveau), and there was a patterned wood medallion (also known as parquet) inlay at the center of the floor. No detail was overlooked, as this is one of the foremost characteristics of the period.

(As a side note, I use Art Deco and Art Nouveau interchangeably when describing this building because the details reflect influences of both movements.) The curved, organic lines are from the earlier period, Art Nouveau, while the geometric shapes, chevrons and color schemes are from the latter Art Deco. The Fish Building in Pasadena was completed in 1929 and therefore falls squarely into the Art Deco period; however, the Art Nouveau details in the building are unmistakable.

It’s important to remember the ethos of these aesthetic movements and their relationship to the social and artistic climate at the time. Beginning in the late nineteenth century, the Art Nouveau movement was a reaction against the preceding (and rather stuffy) Victorian era. Art Nouveau cultivated a close relationship with the fine arts, incorporating hand painting and sculpture into the architecture and interior design. Nature was the dominant theme, and therefore curvilinear forms reigned supreme.

Fast forward a few decades to 1925, when the World’s Fair in Paris, L’Exposition Internationale des Arts Decoratifs et Industriels Moderne, first introduced the style that would forever be referred to as “Art Deco” for short (an abbreviated version of the preceding French name). While earlier movements, like Arts and Crafts, focused on function and minimal ornamentation, Art Deco was a primarily fashion-oriented style and was all about the “fluff.” This style mirrored the social progress and art movements of the day. The largely geometric, rectilinear shapes drew upon cubism and African tribal art, while the zigzags and chevrons were designed to represent electricity and radio waves. The goal within this movement was to find a “new style” in every detail, and even the stepped forms in furniture and light fixtures suggested the architectural silhouette of skyscrapers that stretched across a metropolitan skyline.

That being said, within the Fish Building, it’s easy to distinguish Nouveau from Deco. Both periods exude a bold, eclectic and unique style that is an unabashed departure from preceding periods—each with their own distinct details. Here’s how to add a little glitter from the Golden Age to your personal décor…

When adding a dash of deco to your interior, think glamorous, exotic and over-the-top. Look for materials that shine and reflect, like glass, chrome, lacquer, metallics and mirrors. This period was all about luxury, so velvet and leather are upholstery staples. Rich materials like ebony, zebrawood and ivory were commonly used in furniture, so look for glossy, dark woods or lacquered furniture pieces. When it comes to color, go for drama. In addition to the glistening, creamy hues of Hollywood-style glamour, colors were also bold and theatrical. In fact, the dramatic pairing of jewel tones (such as emerald, sapphire & ruby red) with black and gold or silver has become iconic of the Art Deco era. In addition to incorporating these materials and colors into your space, seek shapes and patterns that are geometric, and try adding pieces with repetition and symmetry.

Think sleek, think chic, and you’re on your way to Deco glamour!

 

Photos Credits: Fish Building photo via http://www.loopnet.com/Listing/16662912/26-E-Colorado-Blvd-Pasadena-CA/; Art Deco photos by Christie Carmelle

The Beautiful Ace

Again, The Stylist is not just about style in regards to clothing, but also about the style interwoven into our surroundings–the design of interiors, exteriors, and architecture of buildings towering above us as we walk through downtown. Speaking of downtown, Los Angeles is about to get a new boutique hotel that is already bringing a lot of press and excitement. The Ace Hotel is confirmed to be opening its first LA outpost in the United Artists Building in the Historic Core on Broadway. Here’s some history and stunning visual inspiration that will hopefully inspire you artistically–and perhaps help you bring a special flair to your own home!

The Spanish-style Gothic United Artists Building was designed by C. Howard Crane and originally opened in 1927 as a theater by the United Artist group, headed by Charlie Chaplin, D.W. Griffith, Douglas Fairbanks and Mary Pickford. In the late 1980s, it was leased to pastor Dr. Gene Scott to be used to broadcast his sermons and in 1989 the neon “Jesus Saves” signs were placed on the top of the building. The signs were originally installed atop the Church of the Open Door at the Bible Institute of Los Angeles’ campus at 6th Street and Hope, and remained there until 1985 when the building was demolished. It is not clear what happened to the signs between 1985 and 1989. In September 2011, one of the signs was removed and has been relocated to Glendale where Dr. Scott’s widow, Melissa Scott pastors her new church.

In 2008, the Bringing Back Broadway initiative began, which is a ten year plan to bring commerce and entertainment back to the abandoned architectural giants in the Historic Core. The Ace Hotel will be sure to assist this greatly by renovating and reactivating the theatre, which will make this the showpiece of their LA location.

In 1999 in Seattle, the first Ace Hotel was opened by friends Alex Calderwood, Wade Weigel, and Doug Herrick (Calderwood and Weigel are the founders of Rudy’s barbershop) at a former Salvation Army half-way house.

In 2007, Ace Hotel Portland was opened in the former Clyde Hotel and now features Stumptown Coffee and the European style-tavern, The Clyde Common. There you can sip on crafted cocktails, drink local Oregon beers, and nosh on rabbit, oxtail and game hen.

A Palm Springs location was also opened, which boasts of their swim club, bars, and on-site diner King’s Highway. Aside from it being a relaxing getaway spa destination, there are DJ’s at the pool every Sunday and they also throw special parties for events such as Coachella.

Just a year later in 2010, the Ace Hotel New York was opened, which is the former Hotel Breslin in Midtown Manhattan. This location also has Stumptown Coffee and Chef April Bloomfield’s The Breslin restaurant (which was awarded a Michelin star). There you can dine for brunch, lunch or dinner and sip on delicious cocktails named after some of your favorite musician’s albums.

Aside from the renovated theatre which will seat 1,600, Ace Hotel LA will also have 180 rooms, a pool, restaurant and bar. It is set to open Summer 2013…If you don’t live in LA already, put it on your calendar to stay at the Ace next summer and grab dinner, a show, and pool time with friends!

 

Photo Credit:

latimesblogs.latimes.com

acehotel.com

Westminster Palace and the Lovely Victorians

Now I’m sure you’re thinking: why would “The Stylist” write about old stone palace and archaic fashion? Well, Darling believes that education about architecture and historical eras can broaden our perspective on “style” and “design.” Everything we see has an effect on the way we express our own style, so it’s always beneficial to take in architecture and interior design, past and present trends, colors, shapes, and textures of our world. Plus, learning more about history always makes you a more interesting person! Keeping this in mind, read on and be educated by Kassandra, a stylist who appreciates historical design:

When I think of England a few things come to mind–tea, rainy weather, and Kate Middleton. But two images that stick out most in my mind are Big Ben and the Queen of England–majestic architecture and regal people.

The Palace of Westminster, with the clock tower nicknamed Big Ben, is one of the most famous buildings in England, and also the meeting place of Parliament (the House of Lords and the House of Commons). Consisting of two sections, the Old Palace and the New Palace, it is located on the north bank of the River Thames in the London borough of the City of Westminster.

This historic structure has certainly shown perseverance, surviving many accidents and horrific events throughout its lifetime: fires, bombings, and the collapse of stonework. Most of the Old Palace was burnt down in a tally-stack fire in 1834. Now I know what you are thinking–what on earth are tally-stacks?

Split tallies were wooden tokens used as a form of currency, acting like a 19th century credit card. A stick would be marked distinctively and split in half lengthwise. One piece would than be given to the vendor and one to the debtor, so both individuals would have record of the exchange. The tallies over time lost their function, and thus, were ordered to be burned in the Old Palace. However, the stove fire quickly got out of hand, as you can see depicted below in the painting “The Burning of the Houses of Lords and Commons” (1835) by J.M.W. Turner.

A few years into the planning stages of the re-building of the Palace marked the Victorian Era. This era, ranging from 1837-1901, was named after Queen Victoria and her reign in power. One of the most notable things from this time period was the distinct fashion, often dictated by the Queen herself. Fashion in this era is such a drastic contrast to how we dress today–who doesn’t enjoy wearing a comfy pair of jeans? Yet prior to 1835, women donned great hats. Not long after, these hats went out the window and in came bonnets. Whenever I think of bonnets, I imagine children wearing them, not women. How shocking it would it be if women walked around wearing bonnets in this day and age!

Women’s dresses of the Victorian era were made in two pieces, a bodice and a skirt. The bodice was tight fitting and designed to emphasize small waists. Sleeve styles and lengths were constantly changing; as time went on the bodice turned into a deeper V shape, and the seam lines on sleeves were dropped lower, making it harder for women to move their arms. Crinoline, a beehive shaped support, was introduced during this time to hold up extra petticoats. It is certainly a stretch trying to imagine wearing crinoline or petticoats every day! I believe it would have been a bit of a workout, carrying all that extra weight around. One of the most interesting things to note is that during this era a right and left shoe started to be produced–prior to this time shoes were interchangeable!

Accessories in the Victorian era were certainly fanciful. Parasols were widely popular, and women wore brooches at the collar, small earrings, shawls, gloves and little aprons. How interesting it would have been to live in a time that had specific trends you were required to follow to fit in with society!

It is fascinating to note the history behind the buildings and fashion we have come to love and know today. The gorgeous style of the Palace of Westminster and the Victorian era were rich with excitement and change. So next time you are standing under Big Ben, I hope you recall this history lesson and remember to look for style in more than likely places!

 

Photo Credits:

ishniche.wordpress.com

J.M.W. Turner, “The Burning of the Houses of Lords and Commons (1835)”

vam.ac.uk

betteridge.com

The Paris Opera House

The Palais Garnier, better known as the Paris Opera House was designed by Charles Garnier in the Neo-Baroque style. After many expeditions around the world,  Napoleon III commissioned it in an attempt to form Paris into a new Rome, the Second Empire.

The theatre opened to a carnival of ballet and theater performances on January 15, 1875. The Gothic novel, The Phantom of the Opera, was inspired by a horrific event in which part of the central chandelier fell and killed one man. The beautiful imagery with the many hidden passages and underground lake provide the most intriguing backdrop for the drama.

Reflecting upon many of the other Napoleon monuments purveying Paris, such as the Arch de Triumph at the end of the Champs de Lyse, the Opera house welcomes the romantic soul. Just like its complimentary monuments it is set in true opulence. The Opera House seats 2,200 under a cascading chandelier, entirely surrounded by marble friezes, statuary, and columns along with bronze sculpture and additional chandeliers. The environment enchants its guests into the world that is portrayed on stage. Such intricate craftsmanship allows for wonderful decades of enjoyment, and deserves full acknowledgment. Hopefully, this monument can inspire our lives and remind us of the true art of architecture, especially when combined with historical prestige.

Photo credits:

graphicsfairy.blogspot.com,

weheartit.com

flickr.com